D.O.A.:
A Conversation with Joey Shithead
By David J. Klug
With a guy nicknamed “Shithead”
one has to wonder just what in the world it’s
all about. But what’s revealed here from
Mr. Joey “Shithead” Keithley, leader
of D.O.A., Canada's most influential punk rock
band, is that of a man and a group who know
their bounds offstage (make no mistake, I’m
referring now to offstage) and take social and
political action when necessary. As for Joey,
he's humble, funny, sentimental, and a down-home
nice guy. Having said that, the band’s
still D.O.A. (get it?), and he’s still
“Shithead."
D.O.A. is celebrating its 25th Anniversary
with a cross-Canadian tour this year, a worldwide
tour next year, and the re-release of the classic
album Hardcore ’81 and Something
Better Change (the band’s first two
records and recently selected as two of the
top five Canadian punk records of all time).
Additionally, Sudden Death Records (Shithead’s
self-owned record label) will release the definitive
D.O.A. album War and Peace, a 25-track
compilation of D.O.A.'s greatest recorded moments.
War and Peace starts at the roots of
"Disco Sucks," "The Enemy,"
and "Liar For Hire" and blasts through
to their modern blitzkrieg sound of "Dead
Men Tell No Tales" and "Just Say No
To The WTO." The live shows will comprise
a new lineup of Joey, The Great Baldini on drums,
and new bassist Damned Dan Yaremko (Econoline
Crush, Bif Naked).
This fall, Shithead's first book, I Shithead,
will be out on Arsenal Pulp Press. The memoir
is a decisive and raunchy look at punk, and
D.O.A.'s journey through it. Along with it,
Sudden Death Records will release Let's
Start The Action, an electronic tribute
to D.O.A. performed by 20 different artists
from around the world and inspired by the anti-globalization
movement. And if that’s not enough, a
full-length documentary on D.O.A., Talk-Action=0,
is being developed by filmmaker Marcus Rogers
(The Widower). And recently, Mayor Larry Campbell
declared December 21st to be " D.O.A. Day"
in Vancouver!
The man behind it all, Joey “Shithead”
Keithley, took time from his busy schedule to
chat about D.O.A. old and new, as well as everyone
from Black Flag, Iggy, and the Clash to Johnny
Cash, Woodie Guthrie, and Willie Nelson!
David J. Klug: So Joey, you're ready to embark
on D.O.A.'s 25th anniversary tour! Your label,
Sudden Death Records, will release a 2- track
compilation of the band's best recorded moments
("War And Peace"). Additionally, you've
reissued D.O.A.'s classic record, Hardcore
'81, which Jack Rabid gave his #6 pick
of his top 40 in a current issue of The Big
TakeOver. What's the reception been like over
your 25th anniversary among your fans and the
press worldwide?
Joey “Shithead” Keithley: So far
so good. The way it is now, it seems like we
can pretty well go anywhere around the world
and get a good audience to play for. I never
expected it to last anywhere near this long.
In fact, somebody once asked me if it would
last 5 years, and I laughed and told him he
was fuckin' crazy. We had a real cool thing
happen at the start of the anniversary. Last
December, the newly elected mayor of Vancouver,
in his first act of office declared December
21st to be D.O.A. Day in Vancouver. City councilor
Jim Green came to a club where I was doing a
solo show and brought out this big scroll from
the city about D.O.A. Day. It was very unexpected.
DK: That’s an incredible story! Congrats
to you! It’s truly testament to what the
band means to Vancouver and Canada. It's a given
that D.O.A. remains Canada's most influential
punk rock band. Where you born and raised in
Vancouver?
JS: Yes, I grew up here and there's a good
chance I will live here forever. But you know,
I have traveled so much that I never really
feel out of sorts about my surroundings.
DK: Growing up, what were you listening to on
the radio?
JS: Jesus, that was so long ago! The stuff
I liked when I was a teenager was Jimi Hendrix,
Black Sabbath and Alice Cooper on the heavy
side but I also liked Bob Dylan and Woody Guthrie.
DK: Where you parents involved in music in
any way, having been players or having played
certain records that later influenced you?
JS: No. When I told my dad I wanted to become
a drummer at age 12, he freaked out and told
me I would wind up a "hophead" (an
old term for a junkie) just like Gene Krupa.
Well, not knowing what a hophead was, I didn't
care about that, so I saved up my money from
my paper route and bought my first drum kit.
DK: How did you get the nickname "Shithead"?
JS: It was our old drummer Dimwit's (R.I.P.)
idea. He came up with this name for a punk band.
He said, “Why don't we call ourselves
Joey Shithead and the Marching Morons?”
Well, I grabbed the Shithead handle.
DK: Who are your favorite punk bands in the
history of rock?
JS: Black Flag, The Clash, the Sex Pistols,
The Stooges, The Ramones, and The Dead Kennedys.
DK: What do you think about the new breed of
punk bands, starting with Green Day, The Offspring
and others to current day punks like AFI, Me
First and the Gimme Gimmies, Lawrence Arms,
Rancid and the like, some of whom are chart
toppers?
JS: Hey, some of them are real good, and I
say good for them that they made it. Playing
music for a living is tough. Some of these bands
aren't as good as some of the original punk
bands, but still a lot better than listening
to Bon Jovi and his ilk!
DK: Tell me about any unforgettable experiences
that you've had throughout the years, touring
or otherwise, with Bad Religion, The Clash,
Bad Brains, Germs, The Dictators, The Ramones,
Circle Jerks, Black Flag, the Dead Kennedys
or others in that vein?
JS: OK. I won't make this too long, but here
is a shameless plug…all the gory details
are in my upcoming book I, Shithead: A Life
In Punk.
The Clash, with Joe Strummer (R.I.P.): We opened
for them in 1980 at the Forum in Vancouver.
They were real shits to us, so I screamed at
them as they were making their way to the stage.
Then our manager challenged Mick Jones to a
fight in the middle of their set! Our friends
then spray-painted their tour bus with "The
Clash suck!", “D.O.A. rules!"
But hey, no hard feelings. They’re still
one of my favorite bands!
Bad Religion: What a great band! One time they
came to Vancouver and wanted to play D.O.A.
at hockey. We said, “Hey, no problem.
The D.O.A. Murder squad is always ready at the
drop of a puck!” We beat them by six goals
and roughed them up for fun as well!
Bad Brains: Great band, no big story.
Germs: The one great punk band I never saw!
The Dictators: We did a show with Handsome Dick's
Wild Kingdom and TSOL. Incredible!
The Ramones were awesome. They gave D.O.A. our
first big break in Vancouver. We opened for
them in 1979. We opened for them three times
in 1983 and one last time in 1996 on their farewell
tour.
Circle Jerks: Keith and D.O.A. were grabbed
as murder cult suspects at a party in Hollywood
around 1982. Somebody had been murdered by this
cult in the apartment below us while the party
was going on. The LAPD didn't like us but they
had their suspect and let us off the hook.
DK: So, you beat a murder rap…lucky you!
Great story but it must have been terrifying.
JS: Yes, it was not cool. That was around the
time the Quincy show tried to tell
everyone how bad punk rock was.
Black Flag: Yeah, huge riot in front of the
Whiskey a GO GO in Hollywood at the Black Flag/D.O.A.
show. In 1980 the punks kind of started it and
the LAPD definitely finished it. A lot punks
getting beaten with clubs and flashlights. Also,
the Dead Kennedys’ massive riot at the
Longshoreman's Hall in Long beach in 1983 –
2500 cops and 300 riot police. Not a pretty
sight.
DK: What types of music and what bands do you
listen to today?
JS: All sorts of things. My daughter listens
to modern punk, my oldest son plays lots of
jazz, and I pull out of my favorite Black Sabbath,
Neil Young and Willie Nelson CDs.
DK: Willie…you should consider trying
to hook up with him. He seems open for anything
these days. Can you imagine?
JS: Hey, playing with Willie Nelson would be
like a dream come true!
DK: Joe Carducci points out in his book, Rock
And The Pop Narcotic, that the situation
in the early 1980s with touring, especially
by the Dead Kennedys, Black Flag, and D.O.A.,
was done despite an active disinterest in American
rock music (Note: D.O.A. are Canadian). Yet
he also credits you three with initiating the
new American scene at the time. Carducci also
points out the cooperation between you, Black
Flag, and the Dead Kennedys when it came to
touring; that is, if one band knew of people
in a certain city that would put on a gig, that
band would turn on the others to them and vice
versa. What were those early shows like with
attendance? Were you performing for 10 people,
a 100, or more? I suspect that regardless the
shows were sonic blasts.
JS: Yes, I would say it was D.O.A., Black Flag
and the Dead Kennedys (the DK's were bigger
so their shows were better attended). It was
punk rock pioneering. The three bands played
an awful lot of towns where people had never
ever seen a punk band before. That is also correct
as is was a matter of trading contact's phone
numbers and mailing addresses trying set up
this fledgling network. The attendance would
really vary. I would say from 10 people to 500
at a big show.
DK: Anyone ever punched or kicked you or a
bandmate? Have you or any bandmate ever attacked
an audience member?
JS: Yeah, a few guys. One guy in Austria caused
so much shit that I threw my guitar to the roadie,
jumped off stage, put him in a headlock and
dragged him to the door and chucked him out.
I have certainly traded a few punches with some
geeks in the crowd. I'm not a violent fucker,
but I don't like taking shit!
DK: What about being spit upon? As you probably
know, Joe Strummer contracted Hepatitis as a
result of that punk action in the early days
of the band.
JS: Well that's what Joe said, but I thought
there was another reason... Yeah, I was real
glad when gobbing became a passing fad. We used
to do it a lot with our friends for fun.
DK: Despite the many changes to the original
lineup, the band is very well-traveled. How
often do you get overseas and what cities and
countries do you like playing best?
JS: We really had a lot of fun in Japan, so
we are trying to get back there. New York is
great, as are London and Berlin. And I love
Italy. We like to do a lot of sight seeing,
and I am a real history buff, so I am really
drawn to places of historical significance.
DK: It must be a pleasure to at least have
some time to sightsee while traveling.
JS: Sightseeing is important…music is
not everything in life.
DK: Big in Japan?
JS: Yes. We did well there in 2001. We will
get there again sometime in 2004.
DK: Win The Battle is D.O.A.'s 10th
studio record and first in four years (Note:
Please refer to the comprehensive discography
that follows the interview). Where are you touring
to support this record?
JS: We did about 110 shows in 2002 to support
it, mostly in Canada and Europe.
DK: Win The Battle has a big surprise
on it, ZZ Top's "La Grange." You crank
off a fantastic rendition. What made you choose
this song to cover? And why ZZ Top?
JS: I remember jamming on this at Club Lingerie
in Hollywood with Ed Pittman (Toxic Reasons)
singing it in about 1982 or 1983. So we resurrected
our version of it. It's fun to play and usually
drives people nuts.
DK: "Just Say No To The WTO" speeds
forth from Win The Battle. Did you
participate in the Seattle protests during the
1999 WTO Ministerial?
JS: I couldn't get down there that day (I was
child-minding my youngest), but I played a big
rally that night for a lot of the people from
Vancouver that had bussed down there that day
and came back that night. Like the song says,
"We don't need free trade, we need fair
trade."
DK: What do you think separates D.O.A. from
bands you started out playing with who continue
to tour two decades after their creative peak?
JS: I think the big thing is that you have
to somehow find a way to keep looking forward,
mentally and musically. You can't get too nostalgic,
although the fans will sometimes try to get
you to just play songs from "back in the
day," and you have to mix it up.
DK: You're considered one of the godfathers
of punk rock. What are your feelings about that?
JS: Well, that's better than being referred
to as one of the "grandfathers" although
I suppose that's happened too! It's cool. You
sure get of lot people yakking to you about
the whole thing, but that is cool as well.
DK: Joey, what's the funniest or strangest
rumor you've heard about yourself?
JS: There's a quote in a rock ‘n' roll
book of quotes, a friend of mine was thumbing
through it at a studio a while back and it read,
"’I'm the best!"- Joey Shithead.’”
Well, I don't remember saying that and I don't
know what I was referring to.
DK: Tell me about some of your guilty pleasures
related to music. Ever listen to ABBA?
JS: I never got into ABBA too much, but I can
pretty well sing along with most of the songs
on any classic rock, or moldie-oldie station.
DK: Readers should know about your DVD, 1978-1998:
20 Years Of Trouble-Making/Greatest Shits.
Is "World Fall Apart" from 1998 the
most recent video you've done? And how difficult
do you find video making?
JS: We have done two more from Win The
Battle: "We're Drivin' To Hell N'
Back" and "Mexican Holiday."
It is pretty easy being in front of a camera.
I like hamming it up! But I never watch any
music television.
DK: Joey, you're a political, civil, and social
activist. What recent causes have you most recently
participated and championed?
JS: I think we have a big benefit show happening
this fall for Rape Relief here in Vancouver.
I have recently done a bunch of acoustic performances
for workers on strike. We have been involved
fairly recently in playing anti-globalization
shows (WTO, APEC). We played a big pro peace
rally here in Vancouver this past January.
DK: Switching gears, what was the first concert
you attended?
JS: It was around 1972 and it was Pink Floyd.
At the Floyd concert I passed out as soon as
they started, and nearly crushed this girl that
was standing near me!
DK: Who was the first band that blew you away?
JS: I think maybe it was Pink Floyd, but the
first punk band I saw was the Ramones in the
summer of 1977. That was a life changing experience.
DK: What band was your favorite from the era
when D.O.A. the Dead Kennedys, and Black Flag
ruled in the early 80s (not including any of
these bands)?
JS: Yes, the DKs and the Flag were something
else, but my other favorites from that time
were the Dils and the Avengers.
DK: Recently, both Mojo (UK magazine)
and Rolling Stone released lists of
the greatest guitar albums and greatest guitarists,
respectively, of all time. Although each list
was quite different from each other, what they
shared was ranking "Are You Experienced"
by the Jimi Hendrix Experience as the #1 guitar
record, and Jimi Hendrix as the #1 guitarist,
of all time. Did Hendrix ever make any magic
for your ears? And who's your favorite guitarist
or guitarists of all time?
JS: Yes, Hendrix is the music I put on if I
need a lift. He still is the greatest –
nobody has surpassed his soul and his dynamics.
I also really like Billy Gibbons (ZZ Top), the
Young brothers of AC/DC (the interplay between
the two) and Brian May (Queen).
DK: What do you think about the music of 50s
guitar greats like Chuck Berry, Eddie Cochran,
and Scotty Moore?
JS: Unbelievable! Those cats totally understood
dynamics. They were being recorded live with
the rest of the band and they would bring it
down perfectly for the vocal parts and then
play real hard in the solos and the guitar feature
parts. They couldn't go back and patch it up
like nowadays.
DK: How do you write your songs? With guitar?
No guitar?
JS: I always have a hundred or so guitar riff
ideas kicking around that I save on cassette
tapes, and sometimes they will sit in a box
for ten years and I will pull them out. The
lyrics I add later. I try to think of what the
music sounds like and get some lyrics that suits
that piece of music. I get the lyric ideas from
newspapers, the TV, talking to people. If I
hear one good line or idea I will write it down
and keep it. This takes time and it is always
fairly obvious when the lyrics are forced.
DK: How much overdubbing have you done in the
studio on your records throughout the past 25
years?
JS: Usually just the solos. I usually get the
rhythm parts right the first time, then I might
add an extra rhythm later as well (since we
are a three piece again). For the next record
I am going to see if I can replicate the sounds
that Dave and I had on Hardcore 81.
DK: Back to "La Grange" on Win
The Battle, how many covers have you recorded
throughout the band's career? And why did you
choose those songs?
JS: I think around 18 in total. We just tried
to pick ones that were funny and or great, that's
why we never recorded any Don Henley songs.
Remember “Don Henley Must Die”?!?
DK: Mojo Nixon! What a nut! He also did “Bring
Me The Head Of David Geffen” and that
tune about Debbie Gibson’s two-headed
love child.
JS: Mojo’s the king! Man!
DK: Speaking of The Man…The Man In Black,
that is, what are your feelings about the recent
death of Johnny Cash? It’s crushed me…
JS: Now Johnny Cash, that's a tragedy, but
not a surprising one as his health has been
bad for a while. He was one of my all time favorites
and D.O.A. covered three different Johnny Cash
songs at various times. On stage and interviews
I would frequently tell people that when Johnny
Cash moved on, I would be the "new man
in black." It is a sad day…
DK: One last question…maybe a little
off-the-wall. Have you ever thought about running
for political office? The reason I ask is serious
but a bit tongue-in-cheek as well. On the one
hand, you've probably very little skeletons
in your closet, especially with everything that's
been written about you for 25 years and also
through your upcoming book, "I Shithead".
And with Vancouver actually naming a day for
DOA (that still blows my mind!!!), I think you're
on track for Prime Minister! Prime Minister
Joey Shithead Keithley! Rock on, baby!
JS: I ran for the Green Party three times in
British Columbia. In 1996 I ran for MLA (this
is the equivalent of a US State congressperson),
in 1997 I ran for City Council in Burnaby (a
suburb of Vancouver), and in 2000 I ran for
MLA again and came in third with 15% of the
vote. It might take a while before I get to
be PM, but I am patient.
DK: Well, I'll be damned!! You've got my vote...that
is, if you can make me a Canadian citizen. Rave
on! Keep raving on!
D.O.A. Discography (http://www.suddendeath.com)
1978 "Disco Sucks" 4 song 7"
Sudden Death Records
1978 "Prisoner/13" 7" single
Quintessence Records
1979 "World War 3/Whatcha Gonna Do?"
7" single Sudden Death Records
1980 Something Better Change album
Friends Records
1980 Triumph Of The Ignoroids 4 song
live 12" EP Friends Records
1981 Hardcore 81 album Friends Records
1981 Positively D.O.A. 5 song 7"
EP Alternative Tentacles Records
1982 War On 45 8 song 12" EP Faulty
Products/Alternative Tentacles Records
(tracks and covers are different on US and UK
versions)
1982 "Right To Be Wild (Burn It Down/Fuck
You)" 7" benefit single Sudden Death
Records
1983 "General Strike" 7" benefit
single Sudden Death Records
1983 Bloodied But Unbowed compilation
album Alternative Tentacles Records (tracks
are different on US and UK versions)
1985 Let's Wreck The Party album Alternative
Tentacles Records (US and UK covers are different)
1985 Don't Turn Yer Back On Desperate Times
4 song 12 " EP Alternative Tentacles Records
1986 Expo Hurts Everyone 4 song 7"
benefit single [with 3 other artists] Sudden
Death Records
1987 True, Strong and Free album Rock
Hotel /Profile Records
1989 Last Scream Of The Missing Neighbors
album w/Jello Biafra Alternative Tentacles Records
1990 Murder album Restless Records
1990 Talk-Action=0 live album Restless
Records
1991 Greatest Shits compilation album
QQYRQ Records
1992 Dawning Of A New Error compilation
album Alternative Tentacles Records
1992 13 Flavours Of Doom album Alternative
Tentacles Records
1993 Loggerheads album Alternative
Tentacles Records
1993 "The Only Thing Green" 7"
benefit single Alternative Tentacles Records
1993 Moose Droppings Australian compilation
album Timberyard Records
1994 "It's Not Unusual, But It Sure Is
Ugly" 7" single and 5 song EP Alternative
Tentacles Records
1996 The Black Spot album Essential
Noise
1996 D.O.A./Show Business Giants 10" split
5 song EP Essential Noise
1996 D.O.A./Colorifics "Marijauna Motherfucker"
7" benefit split single Cannabis Canada
Records
1997 D.O.A./Hanson Brothers 7" split single
Empty Records
1998 Festival Of Atheists album Sudden
Death Records
1998 The Lost Tapes L.P. [rare old
tapes collection] Sudden Death Records
1998 D.O.A./d.b.s.4 song 7" split single
Empty Records
1999 Beat Trash solo album Joey Shithead
Keithley
2000 D.O.A./Dog Eat Dogma 7"split single
(Nervous Breakdown) Sudden Death Records
2001 Just Play It Over And Over Again
5 song EP Sudden Death Records
2001 Win The Battle album Sudden Death
Records
2001 The End live 1990 DVD w/Jello
Biafra Rhino Records
2001 We Still Keep On Running With D.O.A.
Japanese Tribute album to D.O.A., 7 bands,
Base Records
2003 War and Peace compilation album
Sudden Death Records
2003 Greatest Shits DVD/VHS Sudden
Death Records (racks different than CD version)
2003 Let's Start The Action international
electronic tribute to D.O.A. Sudden Death Records
2004 Positively D.O.A. album [singles
78-83] Sudden Death Records
2004 D.O.A. new studio album Sudden
Death Records
2004 Joey Shithead Keithley new studio
solo album Sudden Death Records
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