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Released just in time to for the run-up to
the 2005 version of the Austin City Limits Festival,
this CD and DVD highlight some of the performances
from the 2004 installment. Marking the festival's
third year, the 2004 ACL Festival was wildly
successful with sellout crowds bringing in excess
of 70,000 people to Austin's Zilker Park for
Saturday and Sunday with over 60,000 showing
up on Friday. The weekend was hampered by the
hottest temperatures of Austin's blazing summer
(one local meteorologist put his portable thermometer
in the middle of the field during the early
afternoon and recorded a temperature of 113
degrees), and crowds squeezed into what little
shade could be found. But for music fans that
were willing to battle the heat, it was a feast,
and the broad spectrum of acts is reflected
on these two releases which are comprised of
performances from the festival (if that wasn't
already obvious).
The CD consists of sixteen tracks, all of which
are also included on the DVD with the exception
of Dashboard Confessional's "Hands Down,"
which is no great loss in the grand scheme of
things unless you are such a rabid fan of that
band that you need to own everything they appear
on (and bless your tortured heart if you are).
Of the two, the DVD is a better deal since it
not only includes fifteen of the CD's performances,
but also adds nine more. It also is easier to
get a better feel for the festival by seeing
the performers rather than just hearing them,
especially seeing how hot they all look.
The standouts tracks that are on both the CD
and DVD are not surprising. Blind Boys of Alabama
can be seen wandering through the crowd at the
start of their stirring "Walk in Jerusalem."
The red hot bands include Drive-By Truckers
tearing through "The Day John Henry Died,"
and Franz Ferdinand showing on "Darts of
Pleasure" why their ACL set was such a
US breakout performance for them. The Neville
Brothers look like the seasoned badasses that
they are on "Streets Are Calling."
Broken Social Scene's "Anthems for a 17
Year-Old Girl" is a reminder of how good
that band's show was during the fading afternoon
hours when people were starting to look really
haggard, and "Brown Eyed Blues" from
Ben Harper's weekend closing set showed why
his name deserved to be at the top of the 100-plus
band bill. Unfortunately, other bands that had
great shows are not shown at their best here.
The Pixies "Debaser" came at the start
of their set (to a massive throng estimated
at 45,000) and comes off as a bit sluggish,
and though Calexico's cover of Love's "Alone
Again Or" is terrific, it would have been
cooler to have one of the band's own songs.
As for the DVD-only performances, some of them
are excellent and should have replaced some
of the CD tracks (if there weren't other licensing
issues involved or whatever). Rosanne Cash's
"Seven Year Ache" shows her in fine
form on her return to the Nashville scene. For
bands persevering despite the heat, check the
Old 97's kicking up a great raggedy, twangy
racket on "The New Kid," and Soundtrack
of Our Lives throwing everything rock star move
they have into "Sister Surround" where
singer Ebbot Lundgren climbs off the stage in
his brown tunic and valiantly attempts to maintain
his rock star posture despite the fact that
the redness of his face shows that even the
hottest days in Sweden don't prepare you for
a Texas heatwave.
But there are also a lot of yawn-worthy moments
on both the DVD and CD, and nothing is really
essential. There were so many great performances
that were not included (Solomon Burke comes
immediately to mind), but what is here is really
a cross-section of the variety that was available.
The recordings, both audio and video, are of
high-quality, and the camera work is up close
and personal with the performers. It's a bit
deceiving when they splice in the same crowd
shots at the beginning of each performance even
though they took place on different stages,
but people who didn't attend the festival will
be none the wiser. For people who were there,
it will undoubtedly make a nice memento, and
people who have never attended might be tempted
to make the trip. (Andy Smith)
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